Saturday, October 22, 2022

 Suzanne’s New Normal NewsLetter  

Suzanne Tevlin is a well known artist and lecturer in Toronto. Author of “The Conspiracy of Silence; Gericault’s ‘Raft of the Medusa’ and the Abolitionist Movement” and “The Invisible Woman: Searching for The Black Female in Western Art,” she was, recently, the only Canadian artist to be invited to take part in the exhibition “GOLD” at the Musée Belvedere in Vienna.

As an international lecturer and artist she spent 12 years in Europe where she lectured at Le Musée Ephrussi de Rothschild and La Villa Kerylos in France. While in France she founded “The Tevlin Perspective: Art History from the Artist’s Point of View”. Suzanne has lectured in major museums in Europe and North America, as well as the University of Toronto, University of St Michael’s College, OCAD, TPL, Parsons-Paris, Ghost Ranch, WAAC, Campbell House, Arts & Letters, and HotDocs/Curious Minds.

Suzanne Tevlin has been associated with a Paris gallery for over 30 years, and has had numerous exhibitions in Paris, Monaco, along the Cote d’Azur and in London, as well as in Canada. She is represented in collections throughout Europe and North America.

 

 

A Wonderful New Year
2025
 
 
Dear Art Friends,
May I wish you a very happy, healthy, safe, peaceful, and prosperous New Year. Please, could we try to put all the sadness, tragedy and ominous thoughts of the future, out of our minds and focus on what really matters during our short time on the Earth? PEACE, HEALTH, and GOOD FELLOWSHIP.

Last night, still getting over the last vestiges of my Vienna jetlag (yes, I seem to have become a terrible wimp;-) I lay in bed, far too early in the evening, and finally decided on the first lecture series for this coming year, 2025.

The places are sparce. I can just about manage to get 8 adults into my main studio area. So if you are interested give me a shout. 

I'm pretty busy in January. February is better, but I'm open to date negotiations. Let's say Friday mornings, my studio, April and May, unless a few of you have a better idea. 

I'll post more soon.
Again, Happy New Year my friends.


 

 
The Northern Renaissance
 
The course will commence with a perusal of the delightful, illuminated manuscript  "Les Très Riches Heures du Duc de Berry". Then, the enormous changes that occur with the development of oil paint in the alchemical laboratories of the North, will be considered.  We will discuss the two jewels of the County of Flanders, Bruges and Ghent, to enhance our understanding of this time of splendour, pageantry, plague and fear. The artists are legion. Jan van Eyck, van der Goes, Campin, Memling, Bruegel, Bosch, Durer, Altdorfer, Grunewald, and Holbein are some of the masters we will discover. The seemingly mysterious symbolism and iconography that went into the creation of their masterpieces is complex, and fascinating. To understand these works, as the populace of the time understood them, connects us, intellectually, to the universal.
8 week course
Friday mornings 10 to 12
April 4, continuing for 8 weeks
Tuition, $250, in advance, by e-transfer please
Suzanne's studio on Concord Ave - Ossington Subway 

Full, weekly, details are on my 2025 Lecture Schedule page.

 
The Northern Renaissance Lecture Series, 
which will start Friday, April 4, at 10am, 
is officially going forward. 
There are 3 spots still available. 
Let me know if you are interested 
in joining us ASAP. 
Email me at suzannetevlin1@gmail.com
 
 
 
August 3, 2024
Dear Art Friends,

Yes, there will be a Fall Lecture Series. The outline and course dates are posted on my 2023/24 Lecture Schedule page.
 
The series will be the French artistic shenanigans of the same period as this semester's series on British art. 

 

 
May 9, 2024
Dear Art Friends,
 
Recently, I joined a new art platform. New to me, anyway. It's Canadian. It's called "Partial". I've been on it for a few weeks. Have a look at my page. Here's the link.Suzanne's Partial Page
 
I'm still "building" my page, but tell me what you think. It has a cool image placement "click". You can see how the proportions of the paintings work in a living room, an office, etc.

This doesn't mean I will be leaving "Saatchi". Here's the link Suzanne's Saatchi Page. I've been with Saatchi for decades. Good Grief, Charlie Saatchi signed my invitation letter. So, I'm a loyal "Saatchi artist". The difference is "Saatchi" is international, it's enormous. "Partial" is smaller and Canadian.
Please, have a look.
 
 
 
 

August 20, 2024

                                 "Atalanta, and The Calydonian Boar"
Apparently we are not finished.
I'll post a new image soon. January 27, 2025.
 
 

 
 
 
 April 4, 2024

"Semele, Zeus, & The Sneering Woman"
Won't be long now!
 

 
 
 


 

September 14, 2023
 

 
 "Leda and The Swan - The Second"
oil on canvas
48" X 40" X 2" 



 
 
 
August 26, 2023 
 

Dear Art Friends,

Very close to being done.

Well, here is the 1st glimpse of my 3rd “Loves of The Gods” painting. I’m half thinking of calling it “Known gang of irritable Canada Geese heroically save Leda from an aggressive swan who claimed to be the god of thunder.”  


 



August 2, 2023
 
Dear Art Friends,

Well, I started the 2nd work in "The Loves of the Gods" series 
yesterday, and it is moving very fast. This will be called 
"Ganymedes in The Eagle's Nest - 
Throwing a Tantrum, and Screaming Blue Murder". 
 
 
Oh, it's larger than Europa, it's 48" X 48" X 2", or 4 ft square.
I'll put the finishing touches on Europa over the next week or so, 
and then post it on my website, and Saatchi.
Starting a new series is always a risk, but I feel this one will go like wildfire. 
I'm very pleased so far. 

Enjoy this wonderful weather. 
Remember, this is Canada, it will be snowing soon enough.
This is moments away from being done and dusted.
 
 
 
 
 
 

                                      August 2, 2023 

The Rape of Europa (almost - so close)
36" X 48" X 2"
 
 
June 10, 2023
 
I'm very pleased to be up to my neck in a new series.
I will post the 1st of the series next week.
If you're in Toronto, and you'd like to see it in its unfinished state,
just send me an email, and make an appointment.
The subject of the series is The Loves of The Gods.

 
REVISED FEBRUARY 26, 2023

Now that the pandemic has finally abated, I will again be offering custom designed art history lectures for your private art group, at your own Toronto venue. Be sure to view my lengthy list of courses available, on The Tevlin Atelier website.

Also, as many of you already know, paintings, and art works, on canvas or birch cradle, posted on other websites that include shipping in the price, are approximately 50percent of the stated price if you purchase, and pick it up from my Toronto studio. Works on paper are considerably lower as well.


1st edition
October 15, 2022

Dear Art Friends,

Well, how was your pandemic? I hope you have all weathered it in good health. I also hope that you haven’t lost anyone due to Covid.

I have been very lucky. My pandemic was artistically productive. I created a series of oversized canvases entitled “Messengers During A Time of Pestilence”. There are three of these oil on canvas works, and they are all 6ft X 5ft. You can see them on my website, TheTevlinAtelier.blogspot.com

In March I had breast cancer surgery, followed by radiation therapy. That is now all done and dusted. The result of this brush with mortality was a series of 8 paintings called “The Topic of Cancer”. Cancer is truly a never-ending topic as I’m sure you know.



Why did I feel the need to paint the story of my encounter with the Big C?  I suppose because, though I consider myself intelligent, educated, and well informed, I was constantly surprised at what was going to happen to me next “as a cancer patient”. In a way, I imagine, it also helped me feel more in control. Each step along the journey includes a text describing the medical intervention, and my thoughts about it. Luck was with me all the way; great surgeon, great doctors, great nurses, and tech types, and through it all I was busy painting. I can’t tell you how lucky I was to be able to paint, rather than close down. I would block the image of myself in quickly and get all the ideas down on one canvas before going on to the next. You can view these works on my website or at my upcoming open house.

Suzannetevlin1@gmail.com



STUDIO VISITS

It is always possible to visit the studio. Just email me with a request.


Everyone is welcome. Prices from $20 for very small works to $1500 for small paintings and drawings make ideal gifts. Please email to let me know when you are coming. It is possible to visit the studio during the week, or on most weekends, by appointment. In this group, the top painting "Sun Bolts: Chalk Cliffs", is $3800 - from a series of 7. The other 2 works, "Old Crows" - from a series of 8, and "Boy with A Broken Arm"  are $1200. 

suzannetevlin1@gmail.com

 






Most of my medium to large sized work falls between $5,000.00, and $15,000.00. Larger works may be viewed if you advise me in advance. Some large works are easy to access,  but in a studio crowded with visitors I do need advance notice. You can see all of my larger work on my website.


Also, as many of you already know, paintings, and art works, on canvas or birch cradle, posted on other websites that include shipping in the price, are approximately 50percent of the stated price if you purchase, and pick it up from my Toronto studio. Works on paper are considerably lower as well.

Saturday, February 8, 2014

Home Page 2023


Suzanne Tevlin is a well known artist and lecturer in Toronto. Author of “The Conspiracy of Silence; Gericault’s ‘Raft of the Medusa’ and the Abolitionist Movement” and “The Invisible Woman: Searching for The Black Female in Western Art,” she was, recently, the only Canadian artist to be invited to take part in the exhibition “GOLD” at the Musée Belvedere in Vienna.

As an international lecturer and artist she spent 12 years in Europe where she lectured at Le Musée Ephrussi de Rothschild and La Villa Kerylos in France. While in France she founded “The Tevlin Perspective: Art History from the Artist’s Point of View”. Suzanne has lectured in major museums in Europe and North America, as well as the University of Toronto, University of St Michael’s College, OCAD, TPL, Parsons-Paris, Ghost Ranch, WAAC, Campbell House, Arts & Letters, and HotDocs/Curious Minds.

Suzanne Tevlin has been associated with a Paris gallery for over 30 years, and has had numerous exhibitions in Paris, Monaco, along the Cote d’Azur and in London, as well as in Canada. She is represented in collections throughout Europe and North America.


My studio is in the Annex, in downtown Toronto.
Please feel free to e-mail me suzannetevlin1@gmail.com with suggestions
(all my art history courses are combination lecture/tutorials with 3/7 participants) 
@My Studio one can always count on a first rate projected image in a well darkened room                                for all Suzanne's courses click this link ☛☛☛

If you would like to receive my newsletter please send me an e-mail (suzannetevlin1@gmail.com) with Newsletter Request as the subject.



 
 
 
 
 
 May17, 2023

NEW PAINTING!!! HURRAH!
 

"Tell Me Then"
oil on canvas, 40" X 30" X 2"
 
 
 
 
 
 
February 7, 2023 
 
 Dear Art Friends,
 
 I'VE JUST UPDATED MY
 
 LECTURE DATES & PRICES.
 
SEE YOU SOON!!!
 
 
 
October 15, 2022

Dear Art Friends,
 

My Annual Open House and Studio Sale 
will take place Sunday afternoons in November & December, 
I'll post more details soon; 
 
Details of my first two in-house lecture series are 
now posted in the 
2022 Lecture Schedule page.
 
Picasso in 6 Weeks will be starting 
November 8 and continuing until December 13,
 
Six Female Artists That Changed My Life
will be starting January 10 running for 6 weeks;

I'll also be emailing my first real 
Tevlin Talks Art News Letter in 3 years. 
So, watch for it. It will have all the gos, 
as well as the trials and tribulation of my pandemic, 
and the resultant painting series'. 
 
Make sure I have your email address - 
remember I lost all my contact info in January during 
the 2 storms, punitive sub-zerro weather and the pandemic. 
 
In the mean time let's all declare that we have been, 
like my beautiful triptych. "Too Long In The Desert" 
Now I'm off to see the Opera Atelier special performance of 
Dido and Aeneas at the COC. 
TTFN

Don't forget I have a new email, and telephone.
 
 

 
 
 
May 23, 2022
 
Dear Art Friends

Well, here we are at last. The eighth, and final work in the “Topics of Cancer” series will be called “Agatha c. 2022” Not quite finished boys an girls. Soon.

Agatha, like most modern women, has given up the idea of virgin martyrdom, and has chosen a more inclusive life for herself. Looking an awful lot like me during my recent medical procession, Agatha appears to have been set afloat on an arctic ice floe, but fear not, this is merely a painterly illusion. 

She has, however, drawn an amusing line between the massively intimidating Linear Accelerator, found in the radiation treatment unit, and the Ancient Egyptian sun god, Ra. This idea will amuse her for a few days whilst she ponders the planning CTs used to programme the same machine for her radiation treatments.

The image just under her hand is of my own chest, taken about 4cm below my nipple, facing from my waist up towards my head. The area around my incision is circled in red, and the track of the machine is in yellow. A second image is the last image in the pile. It shows my right breast. Again, the incision is circled in red, and the track of the accelerator is in yellow. I only actually saw the 1st image, but it seems pretty basic, so I made up the 2nd. In the 1st the orbit of the machine was a half circle left to right around my torso, and in the 2nd it was from my head to my waist, my body having been moved in between needless to say.

When it stops at the waist and stares you in the face, the tendency is to close your eyes, but what good would that do against radiation? If one meets the machine eye to eye, you can observe the digital pattern of the radiation that has been programmed. This changes shape, as well as colour, until it disappears. Very interesting.



 
 
August 28, 2022
 
Dear Art Friends
 
The 1st of 2 Agatha paintings 
that bring the "Topics of Cancer" series close to its close.  
 
"Agatha c.251"

St Agatha is the patron saint of breast cancer patients.
Traditionally her martyrdom involves the removal of her breast.
I don't think it's necessary to be so gruesome, though 
burning isn't a very pleasant option. 
Her breasts, after being removed, healed themselves, 
so she was burnt. 
I've always found the traditional images extremely  disturbing. 
I hope this one isn't too upsetting.
 
 
 

May 8, 2022

Dear Art Friends,

Well, my radiation therapy is over, and now I await the burning. My breast started letting me know it was not happy with this radiation business on the 1st day of the schedule. There was burning, and throbbing, though entirely bareable. That’s what comes of my DNA having lived in the fog, and mist, of the west coast of Ireland, and France, for several hundred, if not thousand years. Thankfully the doses were limited, so I fear not, neither do I weep….yet. After all it’s my own damned fault, being so fair, and well, just being, I guess. Ever the optomist, I anticipate only good things; still, I don’t want to be without a supply of extra strength Ibuprofen for the next few weeks. Apparently the radiation pain starts about now, and will grow for 2 weeks, and then diminish. Everyone tells you this, having first turned their backs to you, or diverting their eyes. As the new arrival to Hell once said, “How bad can it get?” I’ll let you know, but do know that I am as prepared as I can be – Celtic skin and all.

In this painting, the 6th of the surgery group, to be called “My Aurora Borealis”, I am relating the wondrous Northern Lights to the lights, lasers and radiation beam of this treatment. I have my favourite 4 legged wild one, the Canadian moose, by my side. We are ready to float through a starry Ontario night. The lights on my chest are used to arrange my body to suite the static/rotating position of the radiation beam. So, no, I’m not a new member of some weird cult. The red light is a ruler, and the green lights come from static fixtures in the walls of the room. I am the only thing that is moved about. It takes 2 people to work the regulators that allow the movement, because they are several feet away from each other. Quite cool really.

I’ll be doing 2 more for this series, I think. St Agatha, or Ste Agathe, is the patron saint of breast cancer patients. We see a lot of Ste Agathas in Medieval, Renaissance and Baroque art. There’s also a Sainte Agathe-des-Monts, in the Laurentians, in Quebec, where my grandmother used to spend the odd summer in her youth. The current plan is to do a martyrdom of Ste Agathe c. 251 (the year she died, apparently), and one more modern image c. 2022. Perhaps. We shall see. Hmmmm…

When the paintings are done the finished product will be posted on my website as well as Saatchi. Though, if you arrange the pick up yourself, my studio prices are about half that of Saatchi.

 

 

 

 

May 15, 2022

Dear Art Friends,

This is the 5th painting in my surgery series. It may be called 

“Connecting The Dots: Bear With Me”. 

I've just added the eclipse of May's Blood Moon, whiich will take place tonight, along with the alignment of the 4 planets, Jupiter, Venus, Mars and Saturn, from last week.

I have been given 4 small tattoos, in preparation for my radiation therapy. My 1st tattoos ever. My dermatologist always advised me never to tattoo my skin, as it was too sensitive. But now I have four, or one, depending on one’s viewpoint. 

They’re tiny, and I assume the ink didn’t contain any heavy metals.

I suppose, with this painting, I’m trying to see the bigger picture. I’m filled with misgivings at the moment. The post-operative regime seems more frightening than the operation itself.   

I won’t go into my concerns; they were summarily dismissed.  

Have a lovely day. Spring will come.



April 22, 2022

 

Dear Art Friends, 

Here is the 4th surgery painting.

"Does My Head Look Big?"

The melanoma painting.

Not done yet, but soon.  

My trip to the plastic surgeon’s office to have my melanoma excised was the 1st step on what has become a more than 6mos journey. But, as I have said before, it’s nothing compared to what so many people endure. I’m not just lucky, I’m creative, productive, and feeling terrific. A little over a month after this event I received my breast cancer diagnosis. The 1st 3 paintings are about that.

My childhood memories of living in a home where cancer was king dwelt heavily upon me that day, but my doctor was calm and considerate. The melanoma was very tiny, but quite near my eye. A local anaesthetic was used, I didn’t feel a thing. My main concern was keeping still, so I grabbed my arms in a pseudo hug, and didn’t let go. It wasn’t long – less than half an hour.

I think about my father a lot these days.




 

 

April 13, 2022

 

Dear Art Friends,

The 3rd surgery painting is called, 

“Channeling Faustina, and pondering the harpoon action in 

my breast, I contemplate The Milky Way.”

 

I’ll explain a few things if you like. 

The painting shows the ultra sound lead needle biopsy used to 

confirm that my little tumour was cancerous. 

Faustina is the name of Tintoretto’s wife, and possible model for 

Venus in his wonderful painting, “The Origin of The Milky Way”, 

a reproduction of which is perched behind the smaller ultra sound screen. I’m channeling her….get it??? My breast, via the ultra sound screen, is therefore reproducing a digital Milky Way circa 2022, and cardinals are a favourite winter song bird in my house. Hope you can all get your proverbial heads around that. 

Thank you, and have a nice day;-)))


 

 
July 4, 2022
 
Well, here is the 2nd surgery painting. 
Not done yet, but I'm very pleased thus far.
It's my visit to the Nuclear Medicine Department to have 2 injections of vaguely radioactive liquid in my nipple (MY NIPPLE!!!!) 
so that the exact position of my sentinel lymph node will be revealed, 
and then a biopsy will show whether or not it  is
cancerous. It wasn't. 
It's called "Merci, Madame Curie".
 
 

 
April 16, 2022
 
Dear Art Friends,
Here is the 1st surgery painting. Not done yet. It will probably be called
"I Become The Canvas"
The series may be called "The Topics of Cancer"
Though I'll have to give that a think;-)))
 It's 36"X18" X 2" 
Oil on Canvas 
 
 




March 27, 2022
 
Dear Art Friends,
My goodness, it's been a while.
I've had my breast lumpectomy, & sentinel lymph node biopsy. 
It went very well, though my post-op check up isn't 'til this Wednesday. 
I feel great; very optimistic, & creative - as usual.
 
I've been doing a few paintings about the 2 cancer diagnoses, but dealing with cancer symbolically, I realised 2 days ago, isn't working for me. "Superficial Concerns" is about my melanoma, & "Finding Ophelia" is, I suppose, the feeling I had, when, a month later I recieved a diagnosis of breast cancer. I was drowning!
 
Now I am working on a nude bust of someone who could be me, showing the bandages. I haven't done a nude self portrait since my 20s!!! 
Whilst working on the bust, images of several other paintings arrived in my head. So, The new series will be 4 full length "self" portraits of my various "trials". 
 
Don't kid yourself, the time I spent being tested, prepared and finally "done" 
was the most interesting I've ever spent not in an art museum, or studio. 
Modern medicine is amazing. 
WOW
The only down side was that I was the subject to be deconstructed.
 
So far I have put paint to canvas on the actual O.R. painting. 
The others will be the melanoma excision, 
the visit to Nuclear Medicine (ouch), and the needle biopsy. 
If my surgeon decides I need radiation, that will be a 5th painting in the series.
 
I'll post these works as they become viewable.
I may delete this in a week or so, as I tend to do with such personal posts.

 
Here is 
Finding Ophelia II


 
July 2, 2021
 
The girl is fully vaccinated!!!
And I don't seem to be even slightly magnetic;-)))
 
I am now happy to welcome vaccinated art lovers 
to my studio to view the 
work I've produced over the last 15 months.
 
"Messengers During A Time of Pestilence" 
is something I am very proud to show my art friends.
 
You can also see my Pythia series, and my 
Canada 150 series - The Wild & The Good.
Email me to arrange a viewing.
suzannetevlin1@gmail.com
 
 

January 31, 2022
 
Dear Art Friends, 
I now have a new phone, 
and a new email - 
suzannetevlin1@gmail.com
 
My account on Bell has already 
disappeared (after how many decades?) 
I have lost all your emails, 
so please resend if you please.
 

 
 
 
February 13, 2022
 
What a time I've had, the last 2-3 weeks. 
The second snow storm in January, 
caused me to lose my landline and internet. 
Bell couldn't be bothered to get me going again.
After several days of waiting for aid 
I jumped ship to Virgin.
 
My cancer diagnosis, 
occurred in tandem with my Bell difficulties.
 
                   I am optimistic and creative as hell....as usual. 
 
Here, as a result, is a new painting. 
The first of three I think, called 
 
"Finding Ophelia"
 
It will be the story of the afterlife of a drowned girl. 
It's not gigantic - only 30" X 40" on a deep 2" canvas. 
Oil of course. This one is close to done.
 
 
 
 
 
January 9, 2022 
 
This new series is called "Superficial Concerns". 
The first of the series is "Waiting" which you can see below.
"Rabbit Hole" is the second.
It's 36" X 36"
 
Happy New Year my friends.
 
 
 

December 7, 2021
 
The Tevlin Atelier 
Presents 
The Annual Small Gems Christmas Sale 2021
From the VERY small to the VERY large
More paintings than you can imagine. 
 
 1) Check out my website
 2) Make an appointment
     3) Let me know what you want to view
 
From 4" x 4" to 6ft x 5ft
oils, watercolour, encaustic, pastel, drawing, goldleaf, 
mixed media, power tools, metal tooling, intaglio
 
December 8 to January 8 
Prices from $30 to $15,000



December 20, 2021
 
Brand new work!!!
 
"Waiting"
Oil on canvas, 30" X 40"

 
 
 September 29, 2021
 
Am I the only person in the world who remembers 
a children's radio programme that started, and ended 
with a song called "The Bears Picnic"? 
If you go down to the woods today you'd better go in disguise.........
for every bear that ever there was....
today's the day the Teddy Bears have their picnic....
I could go on ;-))))  
 
 This painting, I discovered this morning, takes place 
at the confluence of the picnic, our hot forest fire summer, and the transformation of the regular bear into the Spirit Bear. 
Life needs humour and pleasure to go along with the hardship and sadness that we must endure, so it's now called:
"Spirit Bear's Sooty Summer:Picnic's over-Tranformation
"
 



 
April 23, 2021
 
Dear Art Friends 
 
In an ecstatic fit of optimism I'm planning a 
New Normal Lecture Series 
to commence the 1st week of 
October, through November. 
The subject will be 

"Art of Change: The Tumultuous & Invigorating 19th Century"

 The most important & exciting period of artistic exploration, 

scientific discovery, & political change in Western history. 

I'll post a full description on my lecture schedule page. 

The enrollement will be very small, possibly no more than 10, 

depending on the regulations at the time. 

Those taking part will be required to be 100% Vaccinated.

There are a few venues near Spadina & Bloor that will suit. 

E-mail me to get on the very special list.

 
 

 
 
February 23, 2021 
 
I've been watching the Mary Beard Gifford Lectures from the University of Edinburgh. She presented them in 2019. By far the most interesting for me (there are 6) is this one about Lucretia's rape and suicide - an important subject in Renaissance art as we all know. Prof Beard discusses the subject as a classicist. The references to the Roman Body Politic are fascinating. FYI - The others are worth the time as well.
 
 
 

February 1, 2021

"Great Bear Sky"

from my 

"Messengers During A Time of Pestilence", 

is virtually finished. Maybe a bit more red fur and white froth.

I am very excited. This one was tough.

It is 6ft X 5ft, oil on canvas. 


 
February 1, 2021
 
Notre Dame Burning: Pythia & The Great Red Dragon
oil on canvas
6ft X 4ft
is almost done.
I'll keep you posted.
 
 
 
October 29, 2020
Just finishing "Breakfast with Lucian" and all I can think is
"What an ass", "What a hideously selfcentred narcissist". 
"Too bad he was such a brilliant painter - the jerk!"
 
 
 
September 6, 2020
Happy Labour Day to all my friends. 
So, not a lot more to do on the first painting in the 
"Messengers during a time of pestilence" series - Moose Man Spirit. 
Also
The Baroque Soloist Summer Intensive is done and dusted.
And I'm still singing. 
Didn't I tell you I was a survivor ;-)))
Enjoy the long weekend friends.
 


July 20
I've been working on the central section of Moose Man 
during the last month or so, but I must admit, 
those two weeks of heatwave slowed me right down. 
Gosh, wasn't it a scorcher?

Musically - Just starting to work on a new trio of sublime songs. The 1st is by Mahler, and is called, in English, "I am lost to the world". The 2nd is a Schubert, "Nur wer die sehnsucht kennt". The 3rd is by Copeland, and is called "Heart, we will forget him". The 3 together are simply out of this world. I practise them every morning in the park, so I can really let loose.



March 28, 2020
 Hope everyone is doing as well as possible.
I am getting lots of work done. Thank heaven for small mercies.
I'm trying not to let this difficult time go to waste.
Stay healthy my friends.

It would seem that Pythia has decided 
to arrive on Innaarsuit Island, Greenland 
as the skateboard queen. 
Just sayin'
  I'll keep you posted.... 











July 25, 2019

Well, today is really  going to be a good day.
My just about finished Pythia Series has been featured in


Canadian Art Junkie

Please have a look.












Well, "Pythia & The Christmas Eve Baby" is done.
It is inspired by the Christmas Eve, 2017, birth of baby white rhino, Theodore, at the Toronto zoo, and the adventures of Clara the rhino, born in 1738 in India and painted by Pietro Longhi. Miss Pythia meets the mother rhino and baby Theodore at a Venetian Ball.
It is 48" X 60" X 2" oil on canvas..

Click below to see what a big boy Theodore is now!!!!!

Theodore is now one year old!!! 



December 7, 2018
"Pythia in Paris as The Seine Breaches Its Banks"
oil on canvas 
5ft X 5ft

Working on the text engraved on the bridge, which BTW, 
is from a Pablo Neruda poem. 
Figuring out Pandora and her "chaos in a box" difficulties.
Added some scarlet tanagers leading the rowboat. 
My mother's favorite birds, also BTW.


June 13, 2018

Pythia was the designated name taken by each Oracle of Delphi upon her investiture. 
"Miss Pythia at her Annointing"
48" X 36" X 2"
oil on canvas 






Please see my Large Paintings Portfolio for more details.




December 23, 2017
Yesterday "Bears Picnic" was installed in its new home. 
 And, yes, that's my "Yellow Road: Faraway" up beside it on the left. 










September 18, In The Works

After a short hiatus painting drowning maidens, exotic flowers and deadly frogs, I'm back to my "Canada 150 Series", with this almost done painting of a herd of musk ox. Did you know that musk ox wool is the finest, warmest and most expensive wool in the world? Probably the most rare as well. 

"A Musk Ox Dilemma: What Time is it Mister Wolf?"
oil on birch cradle, 37" X 48"









I love a surprise!
Just got home and found that I had been featured, once again, 
by J. Walters, in her terrific
Canadian Art Junkie
Blog.

Please check it out. 







Recent Media Exposure

 News Flash: I'm Featured in The Guardian !!!
 
Every Mother's Son is Featured in The Guardian
 






Moose by Moonlight is featured in The Guardian





Please go to 2016 lecture schedule to see what's up.



My Work Featured in The Guardian !!!


The London Guardian Exhibition & Media Exposure:




Here's a lovely digital assemblage of the Kings Place Guardian Exhibition now open in London England. Scroll down to see my Large Bowl of Fruit I .

The London Kings Place Exhibition ran from September 14 to October 9.  Kings Place is a new art complex beside King's Cross Train Station in London. The exhibition was presented by London's world famous Guardian newspaper. The curator was Guardian art critic Jonathan Jones aided by Hayward Gallery curator Gilly Fox. My oversized fruit bowl was included. Four feet of melon, pears and grapes....

I forgot to post this Guardian feature of a painting from my Yellow Road Series. It's called   Listen, Snow Flakes Falling.
Here's the full image...


Here's another Guardian featured drawing, from the same Large Bowl of Fruit Series as the one in the London show...Large Bowl of Fruit with Crow & Murmuration

Now do you understand why I love the Guardian...?




Would you like to see how my Big Landscape: Ghost Ranch series is progressing? I've just finished #7.







Since my return from France I have lectured at:



University of St Michael’s College - Continuing Education
University of Toronto - School of Continuing Studies
University of Toronto - Canadian Perspectives Lecture Series
Woodsworth College, U of T  – Alumni GM
George Brown College Treasures of The World Series - Art: Reflections on Society 
Humber College
Seneca College

Hot Docs Toronto
Campbell House Museum
The Arts & Letters Club
OCAD Continuing Studies 
Toronto Public Library (Deer Park, Gladstone, Runnymede, Don Mills, Eatonville..)
Toronto Reference Library 

Parsons Paris
Ephrussi Rothschild Museum, St Jean-Cap-Ferrat
Villa Kerylos, Beaulieu-sur-Mer, France
Ghost Ranch, Abiquiu, New Mexico
Women's Art Association of Canada





I was delighted to be part of the March Break program at       Georgia O'Keeffe's old ranch in New Mexico this year.

Ghost Ranch AIR (Artist Immersion & Rejuvenation)


I'm foolishly excited to see my studio featured in Hyperallergic

My Studio - featured in Hyperallergic - January 10, 2014


This is an article about my work that I forgot to post

An Article About My Work






Tevlin Talks Art T-Shirts

To order your Tevlin Talks Art T-shirt just send me an e-mail. 
Available in medium or large, they cost $40 each.
They are very, very nice.....as elegant as a T-shirt can be



















July 18

ART CARDS:

All cards are 5" X 7", have a pristine interior - you add the greeting - and come with a white envelope. To order, just e-mail me. 

The "Crow Iconica" series of 5 cards.
The cost for each "Crow Iconica" package of 5 cards is $25.00 + postage.

Crow Iconica, variety pack of 5, $25.00














The "Large Bowl of Fruit (with crows)" series of 4 cards.
The cost for a "Large Bowl of Fruit (with crows)" pack of 4 art cards is $20.00 + postage.



Large Bowl of Fruit (with crows), variety pack of 4, $20.00




















"The Darwin Series" contains 5 cards.
The cost for each "Darwin Series" package of 5 cards is $25.00 + postage. 

 
















"The Weather Series" contains 4 cards.
The cost for  each "Weather Series" pack of 4 art cards is $20.00 + postage